Biography
"Art is caused by the incapacity to accept the
world as it is."
(Thomas
Knauf in the foreword of "André Rival")
Martina
Kraus - born in Munich 1969 - has been painting since she could hold
a pen. Her industrial and fashion design studies in Berlin, after the
fall of the wall, were followed by two years of costume design for Club
Méditerranée in France, Italy, Greece and the Senegal.
During that time she already started collecting ideas and concentrated
on developing her art skills. Eventually she started her first exhibition
in the year 2000, displaying a variety of large scale acrylic paintings
on reliefed canvas with one particular theme: Signs and Calligraphies
from many different cultures.
On her several painting trips to e.g. Lanzarote, Andalucia or Morocco
she since then picks up the elemental characteristics of the country
and integrates them in the artwork. For example the black lavasand of
the vulcano beaches of Lanzarote shows in the black relief of "Red
Love II" and the maurish roots of Andalucia influenced the painting
"Marrakesh". Her technique varies from scratching poems into
modeling paste ("My Romeo"), fitting a mink skull on canvas
("R.I.P.") or bringing old tibetan mantras to life by the
glow of metal leaf ("Om mani padme hum").
Exhibitions
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| January - March 2009 |
Exhibition "Tibet - China"
at the Tibet Songtsen House in Zurich www.songtsenhouse.ch
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| May 2008 |
Gallery Susan Rothen in Zurich-Wollishofen
www.atelier497.ch
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| June - October 07 |
Galerie Jaleo - Casa Santiago, Villa
de Teguise/Lanzarote
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| April 2006 - March 2007 |
Méson Tiagua, Tiagua/Lanzarote
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| June 2006 - May 2007 |
Gallery Max 17 at the Maximiliansplatz
in Munich
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| March - April 2005 |
Design-Hotel Eden, Arosa/Switzerland
www.edenarosa.ch
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| June - August 2004 |
Part of the art program of the EUROGAMES
2004: Exhibition in the "Forum der Technik", the gallery
Ruf and in the "Olympiahalle" during the opening ceremonies
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| April 2004 |
Part of the Exhibition "Bilder,
Briefe, Noten" in the "Autorengalerie" of the painter
Helmut Vakily, Munich
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| Nov. 2003 - Jan. 2004 |
Artforum Arabellapark, Munich
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| July 2003 - Oct. 2005 |
NOX Art Lounge, Hamburg
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| June - October 2003 |
MLP AG, Munich
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| March– June 2003 |
Life Cap Invest, Munich-Grünwald
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Oct. 2002 - April 2003
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Ikarus, Teguise/Lanzarote |
| May - July 2002 |
Rincòn, Munich
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| April 2002 |
Gallery Roucka, Munich
www.roucka.de
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| February 2002 |
Society of the friends of islamic
art and culture, Munich
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| June 2001 |
Soul-Café, Tarifa/South
Spain
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| April 2000 |
Art Forum, Munich
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Technique
The paintings consist of various
layers. First, a relief
of papermaché or modelling paste (which will
correspond with the final motive) is brought onto the raw canvas and
primed two times. The next layer is acrylic
colour enriched with loose pigments to get the most
possible density and depth of colour.
Finally the calligraphy is brought onto the canvas with delicate
leaves of gold, silver or copper in a work-intensive
technique. Sometimes the artist uses handmade chinese papers or other
found objects from her different trips around the world, too.
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